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ا لفنان sabeeh kalash الموقع الشخصي
احد فناني جيل السبعينات ، درس الفن في معهد وأكاديمية الفنون الجميلة ببغداد وتخرج منهما ، ثم أكمل دراسته العليا في فرنسا حيث حصل على الدبلوم العالي من البوزار و الماجستير والد كتوراة من جامعة السور بون في باريس ،عضوا في جمعية ونقابة الفنانين العراقيين وجمعية الفنانين العمانيين،حيث يعمل ألان رئيسا لقسم التربية الفنية في جامعة السلطان قابوس،عمل في تدريس الفن في جامعات بغداد والمستنصرية والفاتح،اشترك في اغلب المعارض الجماعية للفن العراقي في داخل العراق وخارجه، أقام ستة معارض شخصية 1970 ----- 2000
1948 Born in Baghdad
1970 Diploma in Painting - Institute of fine Arts - Baghdad
1974 B A . In Painting - Acadmy of fine Arts - Baghdad
1981 High Diploma - National Superior of fine arts (De Beaux arts) -Paris
1983 M A. in the art of Painting . University of Sorbonne
1989 PH D in History of art Cotemporary , university of Sorbonne
1990-2003 Art Professor-university of Baghdad,Mostanserea, Al Fatah in libya and yarmouk universities & Sultan Qaboos University 2004 Member of the international art Association international Des arts plastiques 1970 Member of the Iraq artists Society
1970 Member and former General secretary of the Iraqi
1970 Head of Department of Art Education in Sultan Qaboos university Personal Exhibitions 1970 Bratislava Gallery art - Cheakoslowfak (in the past) 1981 La Maison De Beaux art –paris 1983 Sall De Colompe France – Paris 1996 Gallery of Hewar- Baghdad 1999 Permanent Gallery of fine arts –Irbid 2000 Baladna art Gallery –Amman
Participation
1974 Iraq Cotemporary art- pari 1974 Show of international artists Association prag 1975 Anti Racism painting show ,kolbenkan Gallery 1979 junior franclos fair.Grand palais –Paris 1980 Arab artists Exhibition - France – paris 1984 Monaco Exhibition – France 1985 Show of international political Poster – Paris 1986 Baghdad Int . Exhibition 1 1988 Baghdad Int . Exhibition 11 1990 Iraqi Cotemporary Art- London , 1993 Tunis , 1994 Amman
Many of the artistic works do not reveal their Componential Constituents, Their goals and implication plainly. And if we want to attempt their Evaluation, We are required to rely on a wide range of our theoretical as well as our practical knowledge. The works because it concerns itself with a topic dear to himself it bears relation to man's crisis and his being in a way intricate and difficult time. The existence of the wall, as a symbol in the artist's work, requires close observations, but it prevents us from penetrating into the artist's hidden cures to know more about them. In spite of its cracks, it forms a background for many scenes and cases of reflection. A close examination of kalash's works reveals his interest and preoccupation in picturing his own experiences with an artistic technology that requires even academic abilities for appreciation. Cultural and human figures, strong lines, writing and colorful spots scattered here and there are used as means of expression. After his return from paris, We can easily notice that his human figures have acquired more dynamic touches and a recognized chande in using colors. Thus, be itself, is a good evidence of the artist's feelings of rejection and resistance and resistance of vice and corruption. Contrary to his previous works, the new exhibition comprises painting, in which we can find silent and conflict torn figures that are waiting for their ultimate destiny. In some other paintings, these figures vanished and replaced by heaps with no distinctive features or that may represent a rock or ruins of a destroyed man. This is used to indicate the action of time wave all it's changing values, the artist tries honestly to express.
Mohammed Moharaldin 5/11/1996 |
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1948 Born in Baghdad
1970 Diploma in Painting - Institute of fine Arts - Baghdad
1974 B A . In Painting - Acadmy of fine Arts - Baghdad
1981 High Diploma - National Superior of fine arts (De Beaux arts) -Paris
1983 M A. in the art of Painting . University of Sorbonne
1989 PH D in History of art Cotemporary , university of Sorbonne
1990-2003 Art Professor-university of Baghdad,Mostanserea, Al Fatah in libya and yarmouk universities & Sultan Qaboos University 2004 Member of the international art Association international Des arts plastiques 1970 Member of the Iraq artists Society
1970 Member and former General secretary of the Iraqi
1970 Head of Department of Art Education in Sultan Qaboos university Personal Exhibitions 1970 Bratislava Gallery art - Cheakoslowfak (in the past) 1981 La Maison De Beaux art –paris 1983 Sall De Colompe France – Paris 1996 Gallery of Hewar- Baghdad 1999 Permanent Gallery of fine arts –Irbid 2000 Baladna art Gallery –Amman
Participation
1974 Iraq Cotemporary art- pari 1974 Show of international artists Association prag 1975 Anti Racism painting show ,kolbenkan Gallery 1979 junior franclos fair.Grand palais –Paris 1980 Arab artists Exhibition - France – paris 1984 Monaco Exhibition – France 1985 Show of international political Poster – Paris 1986 Baghdad Int . Exhibition 1 1988 Baghdad Int . Exhibition 11 1990 Iraqi Cotemporary Art- London , 1993 Tunis , 1994 Amman
Many of the artistic works do not reveal their Componential Constituents, Their goals and implication plainly. And if we want to attempt their Evaluation, We are required to rely on a wide range of our theoretical as well as our practical knowledge. The works because it concerns itself with a topic dear to himself it bears relation to man's crisis and his being in a way intricate and difficult time. The existence of the wall, as a symbol in the artist's work, requires close observations, but it prevents us from penetrating into the artist's hidden cures to know more about them. In spite of its cracks, it forms a background for many scenes and cases of reflection. A close examination of kalash's works reveals his interest and preoccupation in picturing his own experiences with an artistic technology that requires even academic abilities for appreciation. Cultural and human figures, strong lines, writing and colorful spots scattered here and there are used as means of expression. After his return from paris, We can easily notice that his human figures have acquired more dynamic touches and a recognized chande in using colors. Thus, be itself, is a good evidence of the artist's feelings of rejection and resistance and resistance of vice and corruption. Contrary to his previous works, the new exhibition comprises painting, in which we can find silent and conflict torn figures that are waiting for their ultimate destiny. In some other paintings, these figures vanished and replaced by heaps with no distinctive features or that may represent a rock or ruins of a destroyed man. This is used to indicate the action of time wave all it's changing values, the artist tries honestly to express.
Mohammed Moharaldin 5/11/1996
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